The first track, Kensaku, is the ‘quietest’ affair of this album. It buzzes and swells, with multi-instrumentalist Çağlar prods Moore into a drony improv which would have worked beautifully on an early Sonic Youth record (and which holds up rather well today in 2017).
The next two tracks, Red Sun and Echo (outro) go into the sort of monstrous territory that encapsulated the work of Japanese guitar legends like Keiji Haino’s power-trio Fushitsusha, or even the crunchy psychedelic haze of White Heaven.
I would love to see Konstrukt and Umut Çağlar collaborate more with American artists. He makes one hell of a sparring partner for anyone.